My Tin Anniversary

It’s not easy being told you only have a year to live. I gasped and the room seemed to shrink around me. I was in the Mater Hospital. I recall the details vividly, despite it being ten years ago.

The surgeon said he’d do his best for me, but this was my second metatastic recurrence. The cancer had come back aggressively and invaded my liver and bowel. He would remove a third of my liver and this should regenerate. But, he said, six months later it would be full of metastases. My lungs too. He didn’t need to tell me what came next. I knew. My younger brother had died of advanced cancer just a couple of years previously.

He had a slot in theatre in three days time. Did I want to take it? I jumped at the chance.

The surgeon wasn’t being alarmist. He was being straight with me. This was 2016. At Stage 4, when the cancer had spread to other parts of the body, most patients died. The death rate was different for different types of cancer. For mine it was 90%.

So why have I survived when so many didn’t?

A big question. Without a straightforward answer.

The surgeon was skilled and removed all of the metatastic tumour. Unlike the surgeons at the City Hospital who had failed to do so at the end of 2015, but did permanently damage my abdomen.

The liver and bowel are not the worst places to have a cancer recurrence. The liver is the only organ that can regenerate: mine was healthy and did. The small bowel is 20 feet long, so you can afford to lose a foot of it.

I’ve since had frequent CT scans to check for any signs of recurrence. I am still having them annually at the Cancer Centre. The renal team there have been brilliant. I’m very glad that they took over my care from the renal department at the City, who were neglectful and often incompetent. My first metatastic tumour was found by chance, after I complained about a pain in my side when breathing deeply. My renal consultant had failed to send me for regular surveillance scans.

I’m healthy and fit. I gave up smoking forty years ago and gave up alcohol in 2011 after finding I had renal cancer. I eat well. I’d like to think my immune system is in good shape.

I’m in a loving relationship. T has been by my side throughout the ordeal. Steadfast and utterly dependable. I do wonder how I would have fared without her. But thankfully I haven’t had to find out.

Yet I also know many people who had good surgeons and effective treatment, who were heathy and fit, and who were in loving relationships – but despite this, they still died of cancer. My younger brother, for example. So there has to be another crucial factor.

Luck.

I’m very grateful for the unexpected ten years of life I’ve had. I try my best to be healthy and live well. I try my best to do no harm. I hope to have many more years to come. But you never can tell. The type of cancer I had has been known to recur 20 years after the initial tumour. So I won’t start counting my chickens before 2031.

The Anniversary Outing

I met T on the first day of the John Hewitt Summer School thirteen years ago. Since then we’ve had to go through plenty of trials (cancer, parental dementia, etc) but these have strengthened our devotion to each other. To celebrate our first meeting, we return to the Marketplace Theatre in Armagh every year. We always run into old friends, like Paul Maddern and John McAllister, and take part in literary events. This year there were two that stood out.

Andrew Miller was interviewed by author Michael Hughes about his latest novel ‘The Land in Winter’. This brilliant book explores England in 1962-63 through the intertwined lives of two young couples. It is an atmospheric story of love, loss and survival in a winter landscape that becomes increasingly harsh. Michael’s questions were thoughtful and probing, bringing out a series of insights from Andrew – that his father had inspired one of the main characters, and that Andrew’s work in a secure mental hospital had led him to write another of the main characters. The book won several major awards and was shortlisted for the Booker Prize 2025. It was the favourite to win, but didn’t. Unjustifiably overlooked, in my view.

Sinead Morrissey was interviewed by poet Maureen Boyle about her new memoir, ‘Among Communists’. A marvellous account of her growing up in a family that were devoted members of the Communist Party. We were treated to an engaging and very entertaining series of extracts which revealed a world where the Soviet Union was the promised land and where Sinead’s attraction to Brownies set her on the slippery slope to appeasing the monarchy. Maureen’s questions were gentle and full of anecdotes. I would’ve liked more insight into how this rather fractured childhood, where everyday events were interrogated as features of capitalism, led to Sinead developing her masterful poet’s eye.

All too soon we had to leave. The next morning I needed to drive T to Belfast for some medical appointments. We switched from the sublime to the anxious. But such is life.

Shiver me Timbers

To celebrate the return of good weather, I cycled to Warrenpoint harbour to see Galeon Andalucia, a full-size replica of a 400 year old Spanish galleon. The ship immediately transported me to the world of ‘Treasure Island’. I was back with cabin-boy Jim Hawkins on the Hispaniola in search of pirate gold. It was my favourite book as a child. I still have the copy I was given for my fifth birthday. 

What many don’t know is that this pioneering novel owes a great debt to Unst, the most northerly of the Shetland Islands. In 1869 Thomas Stevenson took his teenage son on a voyage to Orkney and Shetland to encourage him to join the family business – which was lighthouse building. To his father’s great dismay, Robert Louis became a writer. But that voyage did make a lasting impression on the young man. ‘Treasure Island’ was his first novel and the map of the island in the book has a strong resemblance to Unst. The high point on Unst is called Saxa Vord. In the book it’s called Foremast Hill, and from it you can see Thomas Stevenson’s lighthouse perched on a jagged finger of rock.

My new book of poetry, ‘True’, contains several poems inspired by Unst and ‘Treasure Island’. Here is one of them.

CONCERNING THE FIRST VOYAGE OF R L STEVENSON WITH HIS FATHER

Huge sea tossing the fore-deck,

ropes and mainsails thrumming,

nor-easterly cutting yer bones,

the island emerging to larboard.

We hailed the precious sight.

One shipmate never returned,

left under stones in a cove,

wreck-wood across the grave,

reefs groaning, gulls screaming,

black crags cleaving the surf.

None can tell why he picked it,

the Cap'n always a careful man,

atop the cliff with his spyglass,

no fields, not a tree,

nary a lubber on the land,

and us hauling the sea-chests after

cursing the wind and sleet.

Buried 'em?

- I reckon us did.

The map?

- I won't peach.

Another?

- Thank'ee kindly.

Rum… it's been meat and drink

man and wife to me.

The Return of The Native

I returned to the Marketplace Theatre in Armagh to see a dramatisation of this Thomas Hardy novel by Hotbuckle, a touring theatre company from England. The Return of The Native was seen as controversial when published in 1878, given it’s central theme of the desire to go beyond the constraints of place, community, class and morality. For some characters these desires are achieved (by, for example, illicit sexual relationships) while for others they are thwarted. Over the course of the book, these desires lead to tragedy and two characters die. The four performers were skilled, changing costumes quickly on stage to become different characters and using a small number of props very effectively. They also played a series of instruments. I do love live theatre and have seen a wide range of productions over many years. This time, I came away feeling that the performance could have been better. To me there were two main flaws.

Hotbuckle’s adaptation of the novel seemed to contain too many scenes, and this led to the central theme being dramatised only patchily. This problem was exacerbated by the four actors making frequent changes of character as the scenes changed. I felt it would have been better to focus on the six main characters and omit many of the minor characters they portrayed.

At the centre of the drama are two young women and their relationships (neighbours, friends, lovers) with three men. While the character and motivations of the three men were rendered very well by the two actors portraying them, this was not successfully achieved by the actor portraying the two young women. There was little difference between her vocal and physical characterisations of the two women. I had to work hard to try and remember which character she was now seeking to be. For me, this undermined the drama significantly.

When you go to any live event, you don’t know what you are going to get. You hope it will be fantastic and memorable. But it might be awful, and you begin to wish you had stayed at home. Hotbuckle’s production of The Return of The Native was very good at times, and not at others. Still, I’m glad I went.

Authors Fight Back

I’ve joined the frontline against huge technology companies, and it’s personal.

In the US District Court for California, three US authors alleged that Anthropic pirated 7 million books to train its Claude AI model. Anthropic contested the allegation of piracy but did admit to downloading half a million copyrighted books without permission. One of these was a book I co-authored while an academic, ‘Creativity and Innovation in the Cultural Economy’, published by Routledge in 2009. I was then contacted by the lawyers for the three US authors and invited to join them; I was happy to sign up. More than 100,000 authors have now joined the class action, making it one of the most significant in the history of copyright.

The case against Anthropic exposes the grubby underside of AI. Not only do the big technology companies need to build enormous data-centres which use as much water and power every day as a city of 100,000 people. They also need to train their large-language-models on huge amounts of information. To do this legally would be very expensive, hence they work with sites that offer pirated versions of copyrighted publications (such as LibGen).

Okay, you turn on your computer and up pops an AI assistant. Why should you care about protecting poor authors from the illegal exploitation of their work?

Because most authors are in fact poor, as writing is not well paid. I authored seven books and dozens of journal articles while an academic and have authored three books of poetry since. My total earnings from all these publications would probably not keep me alive for more than a couple of months. That’s why the majority of authors earn their crust from work other than writing, such as teaching or the day job. Richard Osman and JK Rowling are the exceptions, not the norm. Most authors are driven by imagination, not money: by the desire to create something new and different. That’s where the books, plays, films and TV programmes that people want to read and see come from. And that’s why creative work needs to be nurtured and protected.

Poetry at Elk Books

The sunlight was sparkling on the water, the funfair was in town and there were long queues for ice cream. But still a hardy group of poetry-lovers came to Elk Books in Warrenpoint yesterday to hear me reading from my new poetry collection, ‘True’. Helene’s independent bookshop is a lovely, intimate space. My reading flowed really well and the Q & A afterwards was filled with pithy questions about writing and authenticity – for most of the group were writers themselves. 

I’ve performed my poetry in great theatres and at the biggest arts festival in the world, and I felt the reading at Elk Books was one of the most satisfying I’ve ever done. So thank you Helene and Seamus for being the perfect hosts. And thank you to all the poetry lovers who listened so intently and asked such good writerly questions. I’ll certainly be back. But for now I have to carry on to the next event in my Knapsack Tour of independent bookshops – The Secret Bookshelf in Carrickfergus on 30 April. Hope to see you there.

The Knapsack Tour

Daffodils, catkins and longer evenings mean that Spring has arrived. To celebrate, I’ve set out on a reading tour with my new collection, ‘True’, in my knapsack. The book, published by Black Spring Press, brings together poems which were inspired by true stories from real lives.

The tour began in late January with a well-attended reading in Banbridge Library, which featured bagpipes and haggis.

On World Poetry Day, this Saturday, I will be at Elk Books in Warrenpoint. Helene, the owner, is a writer and a relative of Seamus Heaney. This independent bookshop is in a lovely location, just a few yards from the Irish Sea, so I’ll be including some poems with a seafaring theme. You could even bring your cossie and head in for a dip.

In April I will wend my way to The Secret Bookshelf in Carrickfergus. The bookshop is run by Jo, a science-fiction author, and Chris. It has just been voted the Best Independent Bookshop on the island of Ireland. So now the secret is out. Congratulations Jo and Chris on this well-deserved accolade.

I hope to add further dates to my knapsack tour. In the meantime, here are the details:

March 21^st   Elk Books, Warrenpoint. 4-5pm.  Advance booking required via Eventbrite.

April 30^th   The Secret Bookshelf, Carrickfergus. 4-5pm.

Both of these events are free. Each will feature a reading, followed by a Q & A. And I’d be delighted to sign my new book for you.

So please join me in Warrenpoint or Carrickfergus for some live poetry. I’d love to see you there.