I
went to the cinema last night and saw this film. Its a very powerful
and affecting study of ageing and care, of love and of death. In
short its the best film I've seen all year.
Anne
and Georges are retired music teachers in their eighties. The film is
largely set in their apartment. We see the elderly couple going about
their daily life, caring for each other in many small ways. They have
a rather self-obsessed daughter who lives abroad. Then Anne suffers a
minor stroke and has to go for treatment in hospital. When she
returns in a wheelchair she makes Georges promise that he will never
put her back in hospital or in a nursing home. Georges agrees and the
core of the film is the day to day love and care of that
relationship. There are many challenges of course. Georges is elderly
and a little infirm. Anne is frustrated by her incapacity. But they
surmount these with humour and respect.
Anne
suffers another stroke and becomes paralysed down one side, then
begins to show signs of dementia. It is a struggle for Georges but he
continues to be her carer. Despite Anne's infirmities they sing and
play little games together. One day their daughter arrives, insisting
that her mother be put in a home. Georges refuses and the daughter
departs. But even with the assistance of a nurse and neighbours, the
task of caring for the severely incapacitated Anne slowly becomes too
much for Georges. Over the course of the film he deteriorates
perceptibly. In the end there is a dramatic twist (the film opens
with the police breaking down the apartment door to find Anne's body
and concludes with the daughter walking around the now empty rooms).
Having
sketched the plot, I imagine anyone who has not yet seen the film is
thinking: this is such a painful story, how could it be a great film?
Well it is great because it focusses on the little and large acts of
kindness, love and selflessness that make human relationships work.
It is great because it shows that this care, humanity and respect can
surmount even the most demanding circumstances. It is great because
it unflinchingly shows us our futures (ageing and death) and reminds
us that we can't change this outcome, but then says - how you get
there as a human being is what really matters.
Above
all, it is honest and heartfelt. It comes as no surprise to find that
the film was based on real events in the family of writer/director
Michael Haneke. Amour won the
main prize at the Cannes Film Festival this year. In its scope and
tone there are echoes of Tokyo Story (one
of the greatest films of the last century).
I
immediately thought of my father, who was paralysed down one side
after a major stroke. Especially, the many hours I spent trying to
communicate with him (he had lost the power of speech) and the long
debates inside the family about a suitable care home. But all to no
avail, as he died from pneumonia after three months in hospital.
Then
I thought about myself. In particular, my own incapacity after the
big operation last year and the care I'd been given in the early days
by Joanne (which I never fully thanked her for). As Georges struggled
with Anne, I relived the many problems that everyday things (that we
normally think nothing of) bring for someone who is incapacitated:
getting in and out of bed, washing, the toilet, walking, etc. I knew
I'd come a very long way since those dark days. I'm hoping I still
have a good distance to go.
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